Peter Quasters (°1969) studied biochemistry at the Hogeschool Ghent. Following his studies he took an autodidactic approach to becoming a visual designer for the performing arts, specializing in lighting design.
His visual creations are shaped by his fascination with abstract and sculptural forms. Examples include Earth Diver (2016), Harriet (2018), The Valley (2019) and The mass man (2022).
He has worked with such performing artists as Claron McFadden, Hans Op de Beeck, Wouter Van Looy, Alex Ho, Julia Cheng, Heiner Goebbels, Pierre Audi, Shuang Zou, Jean Lacornerie, Jorge Léon, Jan Sobri, Wouter Deltour, Paul Koek, Letizia Renzini, Annelies Van Parys, Wim Catrysse, Wim Henderickx, Hilda Paredes and Kurt D’haeseleer.
His designs have been seen in productions at the Rurhtriennale, Beijing Music Festival, NY Prototype festival, Royal Opera House Linbury Studio (London), Kunstenfestivaldesarts (Brussels), Opera Forward (Amsterdam), Deutsche Oper Berlin, Klara Festival, Holland Festival, Operadagen Rotterdam, Boralis Festival (Bergen), November Music, Ultima Festival (Oslo), Festival Actoral (Marseille), Montréal Les Coups de Théâtre, Valetta 2018, Festival International Cervantino (Mexico), Festival Vértice (Mexico City), Opéra de Rouen, Opéra de Lille, Opéra de Djion, Le Grand Théâtre de Luxembourg, Kunstfestpiele Hannover, Radar Festival (Varna) and the Armel Opera Festival (Budapest).
Production
Function
Light design
Scenography | Lighting design
Set design | Lighting design
Light design
Light design | Set Design
Technique
Set Design | Light design
Light design
Light design
Lighting design | Digital lighting | Scenography
Lighting design
Lighting design
Lighting design
Lighting design
Lighting design
Light
Lighting design
Set design | Lighting design
Lighting design
Lighting design | Video technique
Lighting design
Lighting design
Lighting design