Le Nozze

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An adaptation of the third part of the Mozart's Da Ponte Trilogy by Director Tom Goossens.

 

Le Nozze is the third part after Don Juan and Così of the well-known DAPONTETRILOGY. A man and a woman with life experience and a flailing boy speak in a language based on Mozart and Da Ponte’s Le Nozze di Figaro. With only the most essential attributes, they construct the estate and the marriage of a count and a countess, their servants and their relatives. To breathe new life into their love, the countess dresses up as the servant girl the count has a crush on. The count wants to spend the first wedding night with the servant and feels like her brand-new groom. The young Cherubino is in love and has to disguise himself in order to keep seeing the countess. Everyone dresses up as everyone else.

 

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Production:

DESCHONECOMPANIE and Muziektheater Transparant.

Coproduction: O. Festival for Opera. Music. Theatre., Opera Ballet Vlaanderen and Perpodium.

In collaboration with the Munt/La Monnaie.

With the support of Tax Shelter of the Belgian Federal Government and the Flemish Government.

Thanks to CC De Grote Post, Royal Conservatory of Gent, Theater Aan Zee, Theatre FroeFroe.

 

Location Dates Hour  
MAfestival (Brugge)
+32 50 33 22 83
www.mafestival.be
Show on map		10/8/2021
13:30
 
CC De Kern Wilrijk (Wilrijk)
+32 3 821 01 20
www.ccdekern.be
Show on map		21/8/2021
15:00
 
Composition: W.A. Mozart • Text: Lorenzo Daponte • Concept | Direction | Text Adaptation: Tom Goossens • Musical Direction | Arrangements | Piano: Wouter Deltour • Musical Dramaturgy: Lalina Goddard • Scenography | Lighting design: Geert Vanoorlé • Costumes: Marij De Brabandere • Play: Ineke Nijssen • Hendrik Van Doorn • Jef Hellemans • Vocals: Annelies Van Gramberen • or Esther Kouwenhoven • Saxophone: Jolien Van De Sande

If 'Le Nozze' is a fancy-dress ball, it’s certainly one that’s full of self-confidence, jokingly mocking genre conventions and dressing Mozart’s music in the fresh new outfit it has been crying out for.

De Standaard **** - 5 August 2019

... Goossens’ talent for finding the right people should not be underestimated. Mozart’s opera buffa unfolds in a minimal but effective set ... Quite apart from the originality and strength of Goossens’ libretto, which is yet another gem of parlando and speak-singing, in this work two generations and two theatrical styles meet...

Etcetera - 14 August 2019